Steve Knopper is an author and contributing editor and writer for Rolling Stone, Wired Magazine, Wall Street Journal, and New York Times. In 2009, Steve released Appetite For Self Destruction, which detailed the Napster era of the music industry and revealed some of the most reactionary and disastrous events of the industry’s history.
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Copyright laws were put in place to protect creators… but may they actually be doing more harm than good? What are the impacts of copyright law on the way that an industry functions? And, is the recent scandal involving the Music Modernization Act just par for the course in our industry?
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Nino Bless figured out how to build a music career by saying and creating whatever the hell he wants to; by staying independent. In this episode of Creative Juice, we check back in with the original Indepreneur Case Study, Nino Bless, regarding Phase 2 of his awe-inspiring career path.
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In this special Q&A episode, Corrin asks Circa some burning questions that have popped up constantly in our private Facebook group and our email inbox. If you’ve been working with our strategies for any period of time, you may have been wondering these exact things!
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In this episode, we’re back with another report on the most recent changes to the Facebook Ads and Business platform. There’s a lot to be excited about – from A/B testing organic posts to algorithm changes that make it easier for us to perform proper, white hat marketing.
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Are you pissed that Organic Reach is down on your Facebook Page? Not sure what you’re supposed to even do with your Facebook Page these days? Turn your diminishing organic reach into a valuable asset by using the data and messaging tools Facebook is improving every week!
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In 2013, Venezuelan-born teenager Ignacio Scannone entered a recording studio in Orlando, FL as an engineering intern. 5 years later, Ignacio would emerge from that same studio with major label custom production credits, internationally synced licensing placements, and a book of clients that includes charting stars…
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The music industry clocked $17.1 billion in sales last year – but we estimate that number could have been at least twice that amount. Artists are not collecting and using much of the fan data available to them. The data they are paying attention to is not the kind that can increase sales velocity and grow their business.
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